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| Hi Group, we revise our prepress colormanagement settings and found some disputed conclusions about that. One part will change the standard RGB Workspace from ECI-RGB to sRGB because more than 90% of the RGB data come in sRGB and also the major part of untagged RGB data are likely in sRGB. We are generally agreed with this argument but than is the question, how we should calibrate our image processing monitors? When we use the sRGB parameters as the basic settings (6500K, Gamma 2,2) than we belive to run into trouble, because this settings are far away from the CMYK colorspace. The major advantage of ECI-RGB ist the bigger colorspace in the cyan area but is this really an advantage, when 90% of the RGB data are processed in sRGB? There is no 100% cyan and we cannot conjure up colors, which are not present. But the parameters of ECI-RGB are adjusted to CMYK (5000K; Gamma 1,8) When we using ECI-RGB as the default colorspace, the question how we should calibrate our monitors is clear but now we have the problem with all this untagged RGB data. Our last thought in this case is that we do not synchronise our colormanagement settings over the bridge and leave the default colorspace in photoshop in ECI-RGB and change the default colorspace in Indesign or Illustrator to sRGB to avoid high saturated pictures when we convert delivered data into CMYK (ISOcoatedV2) without a visual check. Another part of us means that we should tag every untagged RGB image with sRGB and convert all RGB data into ECI-RGB. Does anybody have best practice settings for the handling of RGB data in prepress environments? Thx in advance Tom -- "Der Retter der Welt ist ein Pinguin und Linus Torvalds ist sein Prophet " |
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